LOT #1128. Polonskiy plant. The composition " Winter Courtyard " 1970 - 1990 yy. H. - 00 cm. Weight - 0.00 kg. Authors: V. Albul. Cond.: Perfect. Gilding
P.S. I draw your attention that the composition as a whole, and individual figures presented in the lot is the original (s) and released in the USSR. These and similar (copies) can be found on the Internet but in the post-Soviet figure, released 1991-2016 yy. !!!
LOT #1129. Gorodnitskiy plant. " The girl is reading " 1940 - 1950 yy. H. - 15 cm. Weight - 0.00 kg. Authors: ; art.:. Cond. Perfect. There are characteristic inclusions (black dots) in the mass and Skol (shown in the last photo).
LOT #1130. Gorodnitskiy plant. " The girl is reading " 1940 - 1950 yy. H. - 15 cm. Weight - 0.00 kg. Authors: ; art.:. Cond. Perfect. There are characteristic inclusions (black dots) in the mass.
LÎÒ #1131. Baranovskiy plant. "The artist-keramistka" or "Girl with a Jug" 1960 yy. H - 23 cm. Weight - 0.00 kg. Authors: O.L. Zhnikrup; Art.: - Cond. - Perfect.
LOT #1132. Gorodnitskiy plant. Composition " Round Dance " and " Dancing in the accordion " Issue - ended 1950-th. H = 13.5 - 18 cm. Weight - 0.00 kg. Authors: B. Mockiewicz; Art.:.Cond. - Very Good.
P.S. Presented is an early composition for decoration. In subsequent years, the composition painting has been simplified.
LOT #1134.The sculpture "Bobchinsky and Dobchinsky" ËÔÇ based on the work of N. Gogol "The Inspector General", 1950-60. H. - 12,5 cm. Weight - 0.00 kg. Authors:-; Sculptor: Vorobyov B.Y. Cond.: Very Good.
P.S. From the series "Gogol characters" based on the works of N. Gogol "Dead Souls" and "Inspector". The series included nine figures: Khlestakov, Gorodnichy, Bobchinsky and Dobchinsky, Chichikov, Manilov, Korobochka, Plyushkin, Nozdrev, Sobakevich
LOT #1136. The composition " Ali Baba and the Forty Thieves " of the 1970s Authors: V. Ì. Tregubova. High. - - see Weight - 0.00 kg. Comp.- Very good.
! There are slight worn gilding.
P.S. Ali Baba is a character from the folk tale Ali Baba and the Forty Thieves. This story is included in many versions of the One Thousand and One Nights, to which it was added by Antoine Galland in the 18th century. It is one of the most familiar of the "Arabian Nights" tales, and has been widely retold and performed in many media, especially for children, where the more violent aspects of the story are often suppressed.
